Publications

“Emerson, Lake and Palmer: Brain Salad Surgery ,” translated by Andrés Valle with Sergio Moscatelli and Juan Tambussi. Mellotron 36 (November 2007), 33-50. [Spanish translation of chapter 9 of Endless Enigma .]

“Theodor Adorno, Pink Floyd, and the Psychedelics of Alienation.” Philosophy and Pink Floyd: Careful with that Axiom, Eugene , 95-119. Open Court, 2007.

Endless Enigma: A Musical Biography of Emerson, Lake and Palmer . Open Court, 2006. 2007 Award for Best Research (History) in Recorded Rock Music, ARSC.

“Concerning the Politics of Prog: A Reply to Chris Matthew Sciabarra's ‘Rand, Rush, and Rock.'” The Journal of Ayn Rand Studies vol. 5, no. 1 (Fall 2003), 173-188.

“Progressive Rock”; “Album-Oriented Rock.” The Encyclopedia of Popular Music of the World, Volume Three: Genres , ed. John Shepherd, David Horn, Dave Laing, Paul Oliver, and Peter Wicke. London : The Continuum International Publishing Group Ltd., in preparation.

Progresywny urock , translated Maciej Majchrzak. Torun , Poland : C & T, 2001. [Polish translation of Rocking the Classics .]

Book Review: Nick Bromell, Tomorrow Never Knows: Rock and Psychedelics in the 1960s ; Michael Hicks, Sixties Rock: Garage, Psychedelic, and Other Satisfactions . MLA Notes 58/1 (September 2001).

Book Review: Alain Frogley, ed., Vaughan Williams Studies. Current Musicology 63 (1999), 102-115.

“Sgt. Peppers el origin del progresivo,” translated by Andrés Valle. Mellotron 20 (June 1998), 5-11. [Spanish translation of chapter 1 of Rocking the Classics .]

Rocking the Classics: English Progressive Rock and the Counterculture. Oxford University Press, 1997.

“Holst's “Mars”: a Model of Goal-Oriented Bitonality.” Music in Performance and Society: Essays in Honor of Roland Jackson, 411-22. Harmonie Park Press, 1997.

“The Spirit of Albion in 20th-Century English Popular Music: Vaughan Williams, Holst, and the Progressive Rock Movement.” Music Review 53 (May 1992), 100-125.

“'Block Juxtapositions' as a Structural Principle in the Music of Gustav Holst and Ralph Vaughan Williams,” British Music 15 (1993), 84-104.